According to Internet Media: There is a curious and damning dichotomy to the experience of viewing this horror-sex movie. While you salute the film's raw and edgy homage to the horror genre, it is this very authentic take on the terror theme that sets your teeth on edge.
Never have we seen a horror film that horrifies and revolts to the extent that we the audience are caught in a claustrophobic crises. This is a film whose integrity towards the genre works against it. As you watch the supernatural terror unfold in what looks like reams and reams of repugnant realism you are shaken to the core.
When at one point the girl's hands are pinned to the bed, we are reminded of the mountaineer in Danny Boyle's 127 Hours whose hand was trapped under a rock. The references are constantly tongue-in-shriek. But if the cinema-viewing experience is all about getting entertained, then Ragini MMS is an abject failure. It raises the bar of horrific and graphic depiction of psychological and physical torture to an all-time high and the entertainment value of cinema dips to an all-time low.
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Never have we seen a horror film that horrifies and revolts to the extent that we the audience are caught in a claustrophobic crises. This is a film whose integrity towards the genre works against it. As you watch the supernatural terror unfold in what looks like reams and reams of repugnant realism you are shaken to the core.
When at one point the girl's hands are pinned to the bed, we are reminded of the mountaineer in Danny Boyle's 127 Hours whose hand was trapped under a rock. The references are constantly tongue-in-shriek. But if the cinema-viewing experience is all about getting entertained, then Ragini MMS is an abject failure. It raises the bar of horrific and graphic depiction of psychological and physical torture to an all-time high and the entertainment value of cinema dips to an all-time low.
Read More>>