According to Internet Media: WELCOME, NO PROBLEM and now THANK YOU, Annes Bazmee's seems to have a special liking for these words of expressions. Comedy is the common element in all these films. Even Akshay Kumar is the common factor in WELCOME and THANK YOU.
The last time Akshay Kumar and Anees Bazmee paired up in 2008, the result was an immensely successful SINGH IS KINNG. Now, after almost three years, their jodi is back with THANK YOU, which is hugely inspired by Bazmee's own film, NO ENTRY.
Raj (Bobby Deol), Vikram (Irrfan Khan) and Yogi (Suniel Shetty) treat their respective wives Sanjana (Sonam Kapoor), Karthika (Rimi Sen) and Radha (Celina Jaitley) as ghar ki murgi, dal barabar. Suspecting that her husband Raj is philandering, Sanjana hires the perpetually flute-playing private detective Kishan (Akshay Kumar), who promises to teach the three promiscuous husbands a lesson that they'll never forget.
Anees Bazmee fails to add freshness in a plot which he already showcased in NO ENTRY. All that you get here is busty women, copious songs and humdrum sequences. It also propagates the 'Men are dogs' and 'Women are dumb' philosophies. While nothing significant happens in the first half, the narrative gets slightly better post the interval. But just when you feel the end credits are about to roll, it starts dragging with Raj and Sanjana's spoilt relationship in focus. That's not all. It's followed by a tacky and predictable flashback story of Akshay Kumar.
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The last time Akshay Kumar and Anees Bazmee paired up in 2008, the result was an immensely successful SINGH IS KINNG. Now, after almost three years, their jodi is back with THANK YOU, which is hugely inspired by Bazmee's own film, NO ENTRY.
Raj (Bobby Deol), Vikram (Irrfan Khan) and Yogi (Suniel Shetty) treat their respective wives Sanjana (Sonam Kapoor), Karthika (Rimi Sen) and Radha (Celina Jaitley) as ghar ki murgi, dal barabar. Suspecting that her husband Raj is philandering, Sanjana hires the perpetually flute-playing private detective Kishan (Akshay Kumar), who promises to teach the three promiscuous husbands a lesson that they'll never forget.
Anees Bazmee fails to add freshness in a plot which he already showcased in NO ENTRY. All that you get here is busty women, copious songs and humdrum sequences. It also propagates the 'Men are dogs' and 'Women are dumb' philosophies. While nothing significant happens in the first half, the narrative gets slightly better post the interval. But just when you feel the end credits are about to roll, it starts dragging with Raj and Sanjana's spoilt relationship in focus. That's not all. It's followed by a tacky and predictable flashback story of Akshay Kumar.
Read More>>
